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The Process

All prints are individually hand processed in the darkroom, making them one of a kind originals. An "original" print means that each photograph is made from the photographer's original transparency, not mass produced.

These fine archival quality photographs are printed on Ilfochrome paper and processed with Ilfochrome chemicals, resulting in beautifully saturated colors.

Prints

Ilfochrome (formerly Cibachrome) Classic prints are known for both their archival qualities and their rich, saturated colors. The glossy, Ilfochrome Classic print has a mirror-like finish to it, giving it unusual richness and depth. Fujichrome R prints have accurate color rendition, good contrast, and excellent color saturation. These prints look best when viewed in fairly bright light, perhaps with individual low wattage spots on each print. They will seem to glow under good illumination. As much as possible, avoid direct sunlight on a print for extended periods of time. In 2003, we began using LightJet prints. These prints are considered to be the finest quality photographic digital prints available today. Originally designed for the military to produce high definition satellite imaging, this technology is now available to the public.

Andrew’s images have been scanned on a drum roller, corrected in Adobe Photoshop, and printed onto Fuji Crystal Archive materials which presently enjoy the highest rating for image quality and longevity in the marketplace.

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